2025, calendar, chamber, multidisciplinary, music with own poetry, musical works, news, vocal

come sempre (2025) for soprano and coloratura

Come sempre is a new duo for soprano and coloratura soprano by Rozalie Hirs, commissioned by Susan Narucki and dedicated to its first performers, Susan Narucki (soprano) and Kirsten Ashley Wiest (coloratura soprano). The text is taken from the opening poem of Hirs’ eighth collection, ecologica (Uitgeverij Vleugels, 2023), here sung in the Italian translation by Patrizia Filia, to be published in the Italian edition of ecologica (Nous Editrice, Catania, 2026; forthcoming).

At the heart of come sempre lies the joy of singing — and of singing together. Hirs deliberately writes clear, singable melodic lines that move around broadly conceived, flexible tonal centres, which shift gradually to create a transparent, responsive harmonic landscape. The two voices engage in multiple forms of interaction: dialogue and responsorial exchange, completing each other’s melody or text, shaping a single line together, or moving in parallel melody and functional harmony. Vocal roles alternate throughout, without a fixed hierarchy.

2020, calendar, chamber, ensemble, multidisciplinary, music with own poetry, musical works, string quartet, vocal

hand in hand (2020) for string quartet and soprano

Rozalie Hirs composed hand in hand (2020) for soprano and string quartet, based on her own poetry. This commission from Kulturkreis für Neue Musik Heilbronn is inspired on the life and ideas of the German poet Hölderlin. The world premiere takes place on his two-hundred-and-fiftieth birthday, a day later followed by a performance next to his birthhouse in Lauffen am Neckar, Baden-Württemberg, Germany.

2015, calendar, installations with poetry or music, multidisciplinary, musical works, vocal

curvices amsterdam (2015)

Curvices Amsterdam (2013, 2015) is an interactive song cycle, a virtual poetry and music installation, for cell phones and mobile devices, that accompanies you on your walk around the concert venue Muziekgebouw aan ‘t IJ, Amsterdam, The Netherlands. By Rozalie Hirs (music, poetry, voice), Cox & Grusenmeyer (design, animation), Yvan vander Sanden (software design, realization), Machiel Spaan (spatial design).

2003, calendar, multidisciplinary, musical works, solo, vocal

in la (2003)

In LA (2003) is an electroacoustic music composition by Rozalie Hirs, based on her eponymous poem. In LA (2003, Dutch version) was composed as a portrait of the composer Louis Andriessen and is dedicated to him. The text is based on an interview with Andriessen that Hirs conducted in 2003 […]